| Steven Woloshen |
| my interest in film began in 1972 in Montreal. I was eager to learn more, so I studied film and media arts in high school, public college, and finally at Concordia University. I worked my way through cameraless animation (films which were hand painted or scratched made without the aid of a camera) by trial and error. I've tried these techniques on super-8, 16mm, and 35mm film. I've had four retrospectives to date and I've lectured on the subject of hand-made cinema as well. I made these films in my down time between motion picture contracts. A lot of my best ideas were hatched in the driver's seat of the car I use on film sets. |
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Contact This Artist
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| Albums |
snip
stills from my short film, "SNIP".
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phont cycle
stills from my new short film/instation piece
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Shimmer box drive
stills my my short film
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optical itzak
stills from my short film
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chronicle reconstructions
stills from my short film film
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RH Factor
stills from"RH Factor" co-directed by Alexandra Grimanis
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La Dolce Vita
stills from my 2008 short film, "La Dolce Vita"
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zero visibility
stills from my new film, "Zero Visibility"
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The Homestead Act
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Editorial
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Fleeing Rotland
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Changing Evan
stills from my newest short film
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Shaving Shania
still from the 2004 Images Film Festival Trailer
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Two Eastern Hair Lines
a still from my short film
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The Babble On Palms
stills from my short film
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cameras take five
film stills
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production stills
a collection of my "work - at - home" process
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The Curse of the Voodoo Child
stills from my short film
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BRU HA HA!
stills from my short film produced in 2002
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Ditty Dot Comma
stills from my short film, "Ditty Dot Comma".
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Rebuttal
stills of the infamous "annecy incident'response
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Pepper Steak
still from my short film"Pepper Steak"
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Son Of Dada
still from my first 16mm handmade film
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Get Happy
stills from the short film, "Get Happy"
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Playtime
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| Showcase Highlights |
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Suite for Freedom - The Underground Railroad
Aleksandra Korejwo |
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Illustration
Francesca Tosetto |
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Tributo a John Lennon
Gogue |
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